"That would have saved me—well, it would have saved me a lot. Of course I would rather see you than her," he somewhat awkwardly added. "When the fellow spoke of you, I assure you I quite jumped at you. In fact I've no real desire to see Mummy at all. If she thinks I like it—!" He sighed disgustedly. "I only came down because it seemed better than any other way. I didn't want her to be able to say I hadn't been all right. I dare say you know she has taken everything; or if not quite everything, why, a lot more than one ever dreamed. You can see for yourself—she has got half the place down. She has got them crammed—you can see for yourself!" He had his old trick of artless repetition, his helpless iteration of the obvious; but he was sensibly different, for Fleda, if only by the difference of his clear face, mottled over and almost disfigured by little points of pain. He might have been a fine young man with a bad toothache; with the first even of his life. What ailed him above all, she felt, was that trouble was new to him: he had never known a difficulty; he had taken all his fences, his world wholly the world of the personally possible, rounded indeed by a gray suburb into which he had never had occasion to stray. In this vulgar and ill-lighted region he had evidently now lost himself. "We left it quite to her honor, you know," he said ruefully. She had been perfectly prepared to be surprised at Ricks, for Mrs. Gereth was a wonder-working wizard, with a command, when all was said, of good material; but the impression in wait for her on the threshold made her catch her breath and falter. Dusk had fallen when she arrived, and in the plain square hall, one of the few good features, the glow of a Venetian lamp just showed, on either wall, the richness of an admirable tapestry. This instant perception that the place had been dressed at the expense of Poynton was a shock: it was as if she had abruptly seen herself in the light of an accomplice. The next moment, folded in Mrs. Gereth's arms, her eyes were diverted; but she had already had, in a flash, the vision of the great gaps in the other house. The two tapestries, not the largest, but those most splendidly toned by time, had been on the whole its most uplifted pride. When she could really see again she was on a sofa in the drawing-room, staring with intensity at an object soon distinct as the great Italian cabinet that, at Poynton, had been in the red saloon. Without looking, she was sure the room was occupied with other objects like it, stuffed with as many as it could hold of the trophies of her friend's struggle. By this time the very fingers of her glove, resting on the seat of the sofa, had thrilled at the touch of an old velvet brocade, a wondrous texture that she could recognize, would have recognized among a thousand, without dropping her eyes on it. They stuck to the cabinet with a kind of dissimulated dread, while she painfully asked herself whether she should notice it, notice everything, or just pretend not to be affected. How could she pretend not to be affected, with the very pendants of the lustres tinkling at her and with Mrs. Gereth, beside her and staring at her even as she herself stared at the cabinet, hunching up a back like Atlas under his globe? She was appalled at this image of what Mrs. Gereth had on her shoulders. That lady was waiting and watching her, bracing herself, and preparing the same face of confession and defiance she had shown the day, at Poynton, she had been surprised in the corridor. It was farcical not to speak; and yet to exclaim, to participate, would give one a bad sense of being mixed up with a theft. This ugly word sounded, for herself, in Fleda's silence, and the very violence of it jarred her into a scared glance, as of a creature detected, to right and left. But what again the full picture most showed her was the far-away empty sockets, a scandal of nakedness in high, bare walls. She at last uttered something formal and incoherent—she didn't know what: it had no relation to either house. Then she felt Mrs. Gereth's hand once more on her arm. "I've arranged a charming room for you—it's really lovely. You'll be very happy there." This was spoken with extraordinary sweetness and with a smile that meant, "Oh, I know what you're thinking; but what does it matter when you're so loyally on my side?" It had come indeed to a question of "sides," Fleda thought, for the whole place was in battle array. In the soft lamplight, with one fine feature after another looming up into sombre richness, it defied her not to pronounce it a triumph of taste. Her passion for beauty leaped back into life; and was not what now most appealed to it a certain gorgeous audacity? Mrs. Gereth's high hand was, as mere great effect, the climax of the impression.!

Fleda had more than one small errand in the big bazaar, and he went up and down with her, pointedly patient, pretending to be interested in questions of tape and of change. She had now not the least hesitation in wondering what Mona would think of such proceedings. But they were not her doing—they were Owen's; and Owen, inconsequent and even extravagant, was unlike anything she had ever seen him before. He broke off, he came back, he repeated questions without heeding answers, he made vague, abrupt remarks about the resemblances of shopgirls and the uses of chiffon. He unduly prolonged their business together, giving Fleda a sense that he was putting off something particular that he had to face. If she had ever dreamed of Owen Gereth as nervous she would have seen him with some such manner as this. But why should he be nervous? Even at the height of the crisis his mother hadn't made him so, and at present he was satisfied about his mother. The one idea he stuck to was that Fleda should mention something she would let him give her: there was everything in the world in the wonderful place, and he made her incongruous offers—a traveling-rug, a massive clock, a table for breakfast in bed, and above all, in a resplendent binding, a set of somebody's "works." His notion was a testimonial, a tribute, and the "works" would be a graceful intimation that it was her cleverness he wished above all to commemorate. He was immensely in earnest, but the articles he pressed upon her betrayed a delicacy that went to her heart: what he would really have liked, as he saw them tumbled about, was one of the splendid stuffs for a gown—a choice proscribed by his fear of seeming to patronize her, to refer to her small means and her deficiencies. Fleda found it easy to chaff him about his exaggeration of her deserts; she gave the just measure of them in consenting to accept a small pin-cushion, costing sixpence, in which the letter F was marked out with pins. A sense of loyalty to Mona was not needed to enforce this discretion, and after that first allusion to her she never sounded her name. She noticed on this occasion more things in Owen Gereth than she had ever noticed before, but what she noticed most was that he said no word of his intended. She asked herself what he had done, in so long a parenthesis, with his loyalty or at least his "form;" and then reflected that even if he had done something very good with them the situation in which such a question could come up was already a little strange. Of course he wasn't doing anything so vulgar as making love to her; but there was a kind of punctilio for a man who was engaged. "It's she who has reopened them with me. I got her letter this morning. She told me you were here and that she wished me to know it. She didn't say much; she just gave me your address. I wrote her back, you know, 'Thanks no end. Shall go to-day.' So we are in correspondence again, aren't we? She means of course that you've something to tell me from her, eh? But if you have, why haven't you let a fellow know?" He waited for no answer to this, he had so much to say. "At your house, just now, they told me how long you've been here. Haven't you known all the while that I'm counting the hours? I left a word for you—that I would be back at six; but I'm awfully glad to have caught you so much sooner. You don't mean to say you're not going home!" he exclaimed in dismay. "The young woman there told me you went out early."

"Distinctly with the threat of enforcement—what would be called, I suppose, coercion." She hesitated: she would only be impeccable even though she should have to be sententious. "You'll be happy if you're perfect!" she risked. The girl hesitated an instant; she was conscious that she must choose between two risks. She had had a secret and the secret was gone. Owen had one, which was still unbruised, and the greater risk now was that his mother should lay her formidable hand upon it. All Fleda's tenderness for him moved her to protect it; so she faced the smaller peril. "Their delay," she brought herself to reply, "may perhaps be Mona's doing. I mean because he has lost her the things."